1.0https://karima.estaciondiseno.esadminhttps://karima.estaciondiseno.es/index.php/author/karima/rich600338<blockquote class="wp-embedded-content" data-secret="isT62DrTOK"><a href="https://karima.estaciondiseno.es/index.php/giger/">GIGER</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://karima.estaciondiseno.es/index.php/giger/embed/#?secret=isT62DrTOK" width="600" height="338" title="«GIGER» — " data-secret="isT62DrTOK" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://karima.estaciondiseno.es/wp-includes/js/wp-embed.min.js </script> https://karima.estaciondiseno.es/wp-content/uploads/2025/12/1000005378-scaled.jpg25601636La colección de moda experimental "GIGER" se inspira en las perturbadoras obras de Hans Rudolf Giger. El terror visual se amplifica mediante una marcada sensación industrial en cada silueta. Este final representa el triunfo del estilo gótico-industrial sobre la luz. El proyecto se consolida como un manifiesto visual sobre el futuro humano.